Aesthetics of Affliction

Authors

  • Alberto Guevara York University
  • Elysée Nouvet York University

DOI:

https://doi.org/10.25071/1913-5874/37315

Abstract

In making Aesthetics of Affliction our theme for this first issue, our goal was to engage immediately with questions that must remain central in a journal dealing with corpo-realities of structural violence, the senses, and the theatricality of power. These questions are: how can we talk to experiences and situations that evade translation and that are mired with legacies of  objectification? What are the possibilities, limits, hopes, and risks when addressing non-linear moves of power, the work of  violence, and social yet also intensely subjective effects/affects?

References

Baudrillard (1994: 79). Simulacra and Simulation. Ann Arbor: The University of Michigan Press. DOI: https://doi.org/10.3998/mpub.9904

Buck-Morss (1992: 6). “Aesthetics and Anaesthetics: Walter Benjamin’s Artwork Essay Reconsidered.” October, Vol. 62, p. 3-41. DOI: https://doi.org/10.2307/778700

Gomez-Peña (2005). Ethno-Techno: Writing on Performance, Activism and Pedagogy. London: Routledge.

Sontag (2003: 41). Regarding the Pain of Others. New York: Picador. DOI: https://doi.org/10.3917/dio.201.0127

Virilio (2003). Art and Fear. New York: Continuum.

Downloads

Published

2008-04-01

How to Cite

Guevara, A., & Nouvet, E. (2008). Aesthetics of Affliction. InTensions, (1). https://doi.org/10.25071/1913-5874/37315

Issue

Section

Note From The Editors